The Polish director Jerzy Grotowski, who performed his work in collaboration with the Polish Laboratory Theatre, had a significant impact on American director Richard Schechner.

<h3>Jerzy Grotowski: who was he?</h3>

The avant-garde acting training, staging, and performance techniques developed by Polish theatrical director and theorist Jerzy Marian Grotowski have had a significant influence on theater today. The key influences were Meyerhold, Stanislavsky, and Brecht. With the help of "paratheatre," Grotowski tested out performers in training programs and other unstaged productions. Grotowski felt the alleged "physiological resonators." He told the actors to use their necks, backs, and arms to project their voices. Then, to raise their voices, he told everyone to choose a text and play, sing, and shout it (Richards, 1995). Jerzy Grotowski, a Polish director, defines "poor theater" as the kind of performance that emphasizes the actor's body and their interaction with the audience while eschewing costumes, props, and music. Extracts from a performance of the play Evangile are interspersed throughout the interview.

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2 years ago

Pop culture what term describes what an actor breaks when he addresses the audience directly from stage, like in hamlet’s “to be

Advocard [28]

When an actor addresses the audience directly, she is said to be “breaking the Fourth Wall”. This term has an intuitive sense to it. The front of the stage is seen as a wall that the actors do not see past (the actors generally seem to be unaware of the audience). When the actor addresses the audience, she breaks through this wall to interact directly with the audience.

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3 years ago