Answer:
During the Industrial Revolution, many roads were opened to art and architecture, but all of them can be summarized in one: the freedom of creation. The industrial revolution and the bourgeoisie had their continuity in artistic expression. Since then, and until today, the art continues in that same direction
He only started painting when he was 27 years old.
His life is documented on the letters he has wrote.
Before declaring he was an artist, he attempted many other careers.
For most of his life he had a mental illness.
He cut off his own ear.
No i believe it was a mix of elements to make it seem as one unit
Filling the frame means that you focus solely on the subject and that subject occupies most if not all of the photograph. Doing this will place more emphasis on the subject to draw more attention to it.
For example, let's say you photographed someone standing on a hill. If you do a wide shot and photograph the person along with the hill and the sky above, then readers won't focus as much on the person. The person would likely be too far away. If you zoom in on the person, and have them fill more of the frame, then more focus will be placed on the subject.
While filling the frame is a useful technique, it doesn't mean that you always have to do it. Going back to the wide shot example, that could be useful if you want to have the person contrast with their surroundings. It's also a good visual way to show how vast nature is compared to humans. Famous landmarks such as the grand canyon could be a better backdrop to use. So it all depends on what you're trying to convey and what message you're trying to send.
Answer:
Line
Shape
Leonardo da Vinci used various types of lines in his famous painting--the Mona Lisa. The most evident are the curved lines, used in the forming of the face, hair and clothing.
Size
In his painting, Leonardo used mainly organic shapes, especially for curves and the jagged mountains in the backdrop.
Perspective plays a great part in da Vinci's work, as the background can be seen as further back from the main figure in the painting.
Color
The colors used in the Mona Lisa are brown/grey, earthy tones to convey a neutral feeling, which conveys neither a feeling of happiness nor sadness.
Tone
The main direction in this painting is curved, which conveys a feeling of gentleness, because of the shape of the main figure, which is the centre of the painting.
Direction
Shading done by Leonardo da Vinci is very detailed in the way that he painted the face of the Mona Lisa, as shown in the creation of her mouth, which has very specific shading on the corners of the lips.
Texture
The real texture of the painting is a cracked, rough surface, but the simulated texture by Leonardo is the smoothness of the figure's skin and the roughness of the backdrop.
(i hope this helps i just looked this up im not sure if its accurate)
