Converted to Christianity and had to leave their old traditions behind because those traditions were seen as “barbaric”
Tone is the attitude of the author towards the audience, and mood is the attitude of the author towards the subject.
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Pope's tone is lovingly taunting of the shortfalls of the high societies, and his mind, similar to the Baron's scissors, has a twofold edge. He extols the well-off and affronts them, however, he does as such in such an adjusted route, to the point that it isn't clear which see is generally noticeable. This equivocalness guarantees that the gathering of people individuals—the very focus of his mind—will be befuddled, not knowing whether to feel complimented or offended by this portrayal of their technicality. The segments in the content that appear to be most disparaging of society are found in the starting sections, where Pope remarks unreservedly on subjects, for example, legislative issues and the law. Despite the fact that Pope might not have loaned much weight to the senseless fight that roused this work, he probably looked after the general population included.
