<span> "Chopin both begins and ends with a statement about Louise Mallard's heart trouble, which turns out to have both a physical and a mental component. In the first paragraph of "The Story of an Hour," Chopin uses the term "heart trouble" primarily in a medical sense, but over the course of the story, Mrs. Mallard's presumed frailty seems to be largely a result of psychological repression rather than truly physiological factors. The story concludes by attributing Mrs. Mallard's death to heart disease, where heart disease is "the joy that kills." This last phrase is purposefully ironic, as Louise must have felt both joy and extreme disappointment at Brently's return, regaining her husband and all of the loss of freedom her marriage entails. The line establishes that Louise's heart condition is more of a metaphor for her emotional state than a medical reality."</span>
<span>For his Ninth and final symphony, Beethoven wove the themes of the Enlightenment into his work. He finally saw a chance to use Friedrich Schiller's "Ode to Joy" — Beethoven had long wanted to set the poem to music for its themes of freedom and brotherhood. The Ninth, dedicated to Friedrich Wilhelm III of Prussia, influenced composers that followed, including Schubert, Brahms and Mahler.
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Explanation:
Could you please mention which Black American theatre makers were dicussed in the lecture so we can pick a few.
Answer:Laocoön and His Sons is a marble sculpture from the Hellenistic Period (323 BCE – 31 CE). Following its discovery in a Roman vineyard in 1506, it was placed in the Vatican, where it remains today.
In true Hellenistic fashion, Laocoön and His Sons showcases an interest in the realistic depiction of movement. In the action-packed scene, three figures frantically try to free themselves from the grasp of sinuous serpents. No matter how much they twist and turn, however, they remain entangled, culminating in a swirling mass of snakes and limbs.
Explanation: I think this is it
