Hello there.
<span>Which of the following is one of the ways American literature changed early in the twentieth century?
</span>D. Authors began to write more often about highly educated people and the problems of philosophy.
Answer:
delete unnecessary information from the sentence
Explanation:
Examples of Haiku Poems: Traditional and Modern
A haiku is traditionally a Japanese poem consisting of three short lines that do not rhyme. The origins of haiku poems can be traced back as far as the 9th century. A haiku is considered to be more than a type of poem; it is a way of looking at the physical world and seeing something deeper, like the very nature of existence. It should leave the reader with a strong feeling or impression. Take a look at the following examples of traditional and modern haiku poems to see what we mean. Traditional Haiku
There were four master haiku poets from Japan, known as "the Great Four:" Matsuo Basho, Kobayashi Issa, Masaoka Shiki, and Yosa Buson. Their work is still the model for traditional haiku writing today. We have also included examples from Natsume Soseki here, a famed novelist and contemporary of Shiki, who also wrote haiku.
Reviewing examples of haiku poems is an excellent way to become familiar with this form of poetry and the sensory language it uses, and gain some inspiration.
In Japanese, there are five "moras" in the first and third line, and seven in the second, following the standard 5-7-5 structure of haiku. A mora is a sound unit, much like a syllable, but is not identical to it. This rhythm is often lost in translation, as not every English word has the same number of syllables, or moras, as its Japanese counterpart. For example, haiku has two syllables in English and in Japanese, it has three moras.
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Examples of symbols in the story include roads, which are metaphors for life paths and choices and the symbols provided by the descriptions of nature in the poem which are metaphors for the times in people's lives (specifically when they are making large life choices).
These figurative nature of the roads and the descriptions of the natural world in the setting allow the reader of the poem to infer that the poem is not "actually" about roads in the woods, but about the ways that our choice of life path can affect things.