Because barrio boy sounds like mario boi
First of all, the setting is enhanced by a stark contrast between two images that are put into the equation. The first image represents a bleak, gloomy picture of anonymous faces deep beneath the ground, in the Metro station, waiting for their train to come. The second image suddenly brings us somewhere else - into nature, with hints to the bleakness of the first scene ("wet", "black"). The setting of this short, modernist haiku poem is a big city with all modernist fascination by its crowded scenes, dynamics, and alienation. It's like the speaker froze the image, the people's actions and movements at this crowded place on a busy day. But it's not the speaker's influence; it's their very act of passively waiting for the train. By introducing the glimpse into nature, Pound made a counterpoint that provides an entirely new and fresh perspective on the city scene. Another modernist element is the use of language - everyday language, unadorned, free of all formal restraints, direct ("these") and simple. It also enhances the setting of the poem because it fits into the city context.
It’s important because we depend on others being good to us. If one person decides to do something bad then this affects society. It’s important for each and everyone of us to collectively as a group better ourselves for the sake of society.
Empathy is the act of sharing and understanding the feelings of someone else. So I'd go with:
C. <span>Ask him how he’s feeling</span>
Answer:
C. The boxer tried to struggle to his feet, but even the mat was
working against him, pulling him back and whispering, "Just stay
down."