Answer:
William Shakespeare doesn't have one specific feeling for love. In his plays, he thinks that love can be unfair, confusing, crazy, unpredictable, and uncontrollable. The classic romance that everyone thinks about in Romeo and Juliet. Married life, as Shakespeare habitually represents it, is the counterpart, mutatis mutandis, of his representation of unmarried lovers. His husbands and wives have less of youthful abandon; they rarely speak of love, and still more rarely with lyric ardor, or coruscations of poetic wit.
Explanation:
Well with no picture I can't help, but just describe the birds as you see it! :)
Answer:
Im not fully sure, but I think that it is a drawing by leonardo da vinci, and it was one of his ideas for a thing kind of like a helicopter.
Answer:
Middle ages music originally had no rhythmic structure, but as the music became more complex, a need for rhythmic unity emerged. With this complexity came rhythmic notation. In the early middle ages, music was monophonic, meaning a single voice or melody line. As time passed, polyphony developed (multiple melodies).
Polyphony is really interesting and led to the highly complex polyphony of the Renaissance, and eventually to the fugues of the Baroque period.
