Answer:
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Explanation:
The Natural Minor Scale is a minor scale in its simplest form. It has no added sharps of flats besides those in the key signature. For example, the A minor scale (which is the relative to the C Major Scale) has no sharps or flats in the key signature, which means that the natural A Minor Scale is just from A to A.
In the Harmonic Minor Scale, you raise the seventh note in the scale-up a half step on the way up the scale and on the way back down the scale. So in the A minor scale, G becomes G sharp.
Finally, with the Melodic Minor Scale, you raise the sixth and seventh notes up a half step on the way up the scale, but not on the way back down. In A Minor, F and G become F sharp and G sharp, but only on the way up the scale.
Answer:
Pomo women of the Northwest made baskets. In the Southwest, Navajo women wove blankets and Pueblo women made pottery. Women in the Plains did needlework, beadwork, quillwork, and clothing designs. Northeast women created beadwork designs on moccasins and clothing using birch bark stencils. Seminole women of the Southeast created patchwork fabrics. Men traditionally created rock-carvings, pipes, and paintings. Pueblo men made kachina dolls.
It’s used in alto and occasionally Soprano
Definition of Style & Subject Matter:
Cubism was a highly influential visual arts style of the 20th century that was created principally by the painters Pablo Picasso and Georges Braque in Paris between 1907 and 1914. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories of art as the imitation of nature. Cubist painters were not bound to copying form, texture, colour, and space; instead, they presented a new reality in paintings that depicted radically fragmented objects, whose several sides were seen simultaneously.
Typical cubist paintings frequently show letters, musical instruments, bottles, pitchers, glasses, newspapers, still lifes, and the human face and figure.
