Answer:
a) Appearances are deceiving.
Explanation:
It's easy to be fooled by outward looks, like in the poem "Queen of the Cats." An innocent-looking cat by the name of Old Polly looks to be a sweetheart. On closer investigation, though, it becomes apparent that she is a clever and devious feline. As far as I can tell, she's been a good buddy to the other cats she's lived with. The truth is, her ultimate allegiance is to herself. She takes advantage of the other cats that come to her for aid. At the end of the story, she is shown to be a selfish monster who uses people to get what she wants.
<span>The sentence which best describes Paine's claim in the excerpt is God would defend the American colonists' fight because their cause was upright. In the beginning of the excerpt, the author says he believes that God is fair and will never give up his loyal people. The last lines point out that God knows what justice is, so there is no way to help such murderers as Britain because they did not even deserved it.</span>
the third one, if you add the comma without the when then you would have a comma splice (when you put a comma between 2 independent clauses without a conjunction) adding the when before Cynthia makes the first part a dependent variable and makes it okay to add the comma!
Hope this helps! :)
The central theme of “The Weary Blues” concerns the resilience of the archetypal “common” person who has times of despair or despondency. Music serves as a means of relieving pain or anxiety. The poem transcends the limitations of race, as all people have used music and poetry as a means of getting through bad times. The cause of the blues singer’s sense of isolation, loneliness, pain, and trouble is deliberately vague. His inability to identify the exact cause of his trials and tribulations, or the narrator’s unwillingness to speculate upon it, enhances the universality of those feelings. The unspoken but evident complexity of the interrelationship between the player and his piano and the narrator and the musician corresponds to the complexity and interrelatedness of musical and poetic traditions. The poem, in its unconventional thematic and formal structure, advocates an equal acceptance of the two.
