The adverbs are Rachel, slowly, tierd and I think yesterday
The theme of this poem to me personally is to do with depression. The person perceives the bird singing as a nuisance and wishes for it to go away where he’ll later come to regret the decision. Have clapped my hands at him from the door when it seemed as if i could bare no more. The person has finally gotten rid of the bird by clapping his hands because he had had enough of it.The fault must partly be in me the bird was not to blame for his key, this is the first sign of regret shown by the poet. The person would now ponder at first but later on he would come to realize that the fault was in him to silence nature, this reflects upon the last stanza “ and of course there must be something wrong in wanting to silence any song”.
This is of course just how i perceive the poem different mindsets could differ how you would put it as.
The argument relies on claims that are not backed up by facts
Alifa Rifaat's short story "Another Evening at the Club" paints a clear picture of the powerless, inferior role of women in Egyptian society: the main character Samia is trapped in an arranged marriage in which she is repeatedly forced into betraying her own values and beliefs.
For example, when Bey, her husband, says to Samia "Tell people you're from the well-known Barakat family and that your father was a judge," she is obliged to lie about her own family's social status, in spite of how she was raised to be an honest person, just for the sake of making Bey look more important in the public eye.
In the end, Bey forces Samia into the ultimate act of dishonesty: protecting a lie that is causing their servant to be tortured, only to avoid his husband's embarrassment, when he says "By now the whole town knows the servant stole the ring—or would you like me to tell everyone: 'Look,folks, the fact is that the wife got a bit tiddly on a couple of sips of beer and the ring took off on its own and hid itself behind the dressing-table."
The negro artist and the racial mountain was written in response to "The Negro Art Hokum" written by George S. Schyler.
