Answer:
Both are important of coarse. In different cases different persons are important in different ways. But from my point of view both are important
Hope it helps! :)
The incidences of elder abuse in the united states are increasing by about 75-150%
Elder abuse, also known as abuse of the elderly, is any act, whether one time or repeatedly, or a lack of appropriate action, that harms or distresses an elderly person while taking place in a relationship where there is a trusting expectation. This sort of violence, which encompasses physical, sexual, psychological, and emotional abuse as well as financial and material exploitation, abandonment, neglect, and severe loss of respect, constitutes a violation of human rights.
- Elder abuse is a significant public health issue. According to a 2017 study of 52 studies from 28 different nations and distinct locations, one in six adults (or 15.7%) who are 60 years of age or older have experienced abuse in the previous year. The review offers prevalence estimates of the percentage of older persons impacted by various forms of abuse, notwithstanding the paucity of comprehensive data.
- There are few statistics available on the severity of the issue in institutions like hospitals, nursing homes, and other long-term care facilities. However, a review of recent studies on the abuse of elderly people in institutions shows that 64.2% of staff members admitted to abusing elderly individuals in the previous year.
To learn more about elder abuse in the united states visit:brainly.com/question/25918602
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Answer:
:'( Why did you leave my fantasy story......
Explanation:
In Hunt’s (The Seas ) overstuffed and uneven novel set in New York, circa 1943, an aging Nikola Tesla lives at the Hotel New Yorker and cares for (and chats with) pigeons while planning what could be his boldest invention yet. He forges an unlikely friendship with Louisa Dewell, a 24-year-old chambermaid at the hotel who also keeps a pigeon coop. The book alternates between Niko’s reminisces of turn-of-the century Manhattan and Louisa’s current domestic dramas; Niko revisits old grievances concerning the usurpation or dismissal of his many inventions, and Louisa gets ensnared in her zany father’s mission to travel back in time and reconnect with his dead wife via a time machine built by his lifelong friend Azor Carter. Assisting in the scheme is Louisa’s mysterious beau, Arthur Vaughn, who may or may not be from the future. Although many events are drawn from Tesla’s life, he and his peers, including Thomas Edison and John Muir, are cartoonish. Likewise, the city backdrop is drenched in rosy nostalgia (even Hell’s Kitchen is a quaint neighborhood). Each individual plot thread has potential, but the cumulative effect is dulled by an unwieldy structure.
