They would fill the feed bins with sand and then top them off with grain and meal.
It's an adjective; "The smallest puppy" is the subject of the sentence as the rest of the sentence describes it. Of course the subject cannot just be "puppy" so it must include "The smallest" as well. Since smallest is an adjective (A word that describes something else,) that answer is Adjective.
Answer:
I feel like nowadays adversity can be anything. The color of their skin, the way they talk, what social platform they have in society. Knock yourself out with it. Maybe even write the poem based off of your own person experience with some adversity. If you need further help once you pick a topic, please let me know.
Here are a few topics you can have your person struggle against:
1. Racism
2. LGBTQ+ rights
3. Gender equality
4. Political standing.
5. Religion/Religious beliefs.
I got hit with a baseball right in the back of the skull, I saw two of everything for a week and I still had to carry a block of ice home every afternoon.
A poem about cat with 3 stanze and rhyming in one line word in each stanze 3 line is described below.
Explanation:
1. A three line stanza is called a tercet. A four line stanza is a quatrain, and a five line stanza is a quintet.
2. 3 line stanzas are called Tercets. A stanza in poetry is a group of lines usually separated by a blank line. Stanzas of 3 lines are called Tercets from the Latin word tertius meaning three.
3. A poem or stanza with one line is called a monostich, one with two lines is a couplet; with three, tercet or triplet; four, quatrain. six, hexastich; seven, heptastich; eight, octave.
4. A monostich has been described as 'a startling fragment that has its own integrity'[2] and 'if a monostich has an argument, it is necessarily more subtle.'[3]
A monostich could be also titled; due to the brevity of the form, the title is invariably as important a part of the poem as the verse itself:[4]
5. Some one line poems have 'the characteristics of not exceeding one line of a normal page, to be read as one unbroken line without forced pauses or the poetics of caesura', and others having ' a rhythm, (as with one-line haiku), dividing easily into three phrases'
