Answer:
The ubiquitous Broadway poster is more than just eye candy for the busy New Yorker and tourist. These pretty pictures, which cover so much of the city, convey — or at least suggest — the experience a Broadway production holds for the potential audience member. What will you see, hear and (hopefully) feel once you plop down your hard-earned money for a seat in one of Broadway’s storied theatres? It’s a show’s calling card. It helps put people in seats. Upon first glance, a Broadway poster may seem deceptively simple — a picture or graphic with a title and some credits. But a lot of very creative people put a lot of thought and effort into creating what’s known in the industry as “key art.” It’s this key art gets that gets spun off into the countless versions you see online, in the subways, outside theatres and above Times Square. The final product, in all its forms, depends on the show and the audience its producers wish to attract.
For Once, the Off-Broadway transplant about an Irish musician and a Czech immigrant brought together by music, the challenge was to reinvent a personal story for a broader audience. As Darren Cox, Associate Creative Director at SpotCo, an advertising agency that handles many of the most successful Broadway shows, explained, Once “…was this little fantastic gem of a show downtown that just flowered into this huge success.” The original art, which SpotCo also developed, had a “…very personal, slice-of-life kind of aesthetic, which was very intimating and moved to being good for downtown, but we found out that other needs arose when the Broadway shows.” The bigger stage and the bigger potential audience required an updated look and feel to get noticed. The art needed to pack more of a punch. According to Cox, “there was a little bit of a fear that the intimacy of the show and the kind of quiet beauty of the show could be sort of swallowed up…” The solution was to hold on to certain artifacts from the original as inspiration and then dial everything up. They hired a photographer and shot the actors in real environments — in the theatre, on the street, at a bar. “And then we pulled back in some of the graphics and the logo treatment that had that downtown intimate feel, but then married it to the larger brand.” Looking at the original and updated art “…you can see there is sort of this relationship where they do feel they’re kinda like in the same voice but one has a much stronger, louder, much more splashy kind of voice.”
Explanation:
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Both Indian music and jazz have melodies based on modes, (scales or ragas), pulse-oriented rhythms, (played by drums) and improvisation, all of which have been developed to a very high level.
Answer:
Feminism and intersectionality in film, both combined and separately, help the viewer to understand the internal and external struggles of minorities in an industry that was built on silencing them.
Explanation:
A feminist lens in filmmaking helps to challenge the systemic inequalities women face on a daily basis by focusing on the function of female characters as strong individuals, rather than passive, flat characters they are commonly depicted as, especially in action and horror genres. An intersectional lens starts a conversation on the intersections of gender, race, caste, class, sexuality, religion, and disabilities for people who may or may not have experiences with these things, and helps those who do feel represented and less alone in their differences.
As far as I know it's called<span> a minor </span><span>plague cadence.</span><span />
Answer:
C. Sentence two
Explanation:
Polk needs to be capitalized.
