Answer:
Sheila, Anna's mum.
Explanation:
Saving Anna's family is a story by Readworks, which has a main character called Anna, a good nature girl, who struggled with a terrible illness, cancer. Her health condition deteriorated to the extent that her mother, Sheila, had to resign from work to take care of her daughter.
Her decision drastically reduced the family's earning compared to the period before Anna's cancer was diagnosed, causing a worse financial condition in the family.
Anna's good friend, Christine realized that Anna's family needs financial help but they do not want to complain, so she and her friends organised a party to raise funds for Anna's family for them to survive.
It means life has its ups and downs. Everything is not always great or not always bad. Somehow it all kind of balances out
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places:
1. The narrator's nine-year-old daughter, knowing that her father writes war stories, asks him if he has ever killed anyone. The narrator says no but resolves to tell her the truth when she is grown (so yes she might ask the same question when she is older.)
2. because he wants his writing to be heard.
3. because it was his thing to kill anyone he saw, so his body reacted way before he has time to think whether or not he should kill or not. I probably would’ve done the same.
4. he focuses on the deaths because those thoughts aren’t easy to go away.
