Answer:
1)  its because we managed to divide the answer so it is not a prime number.
2)
Code:
#include <stdio.h>
int main()
{
    int i, j, n, isPrime; // isPrime is used as flag variable
    /* Input upper limit to print prime */
    printf("Enter your n : ");
    scanf("%d", &n);
    printf("Prime numbers from 1 to %d:\n", n);
    /* Find all Prime numbers between 1 to n */
    for(i=2; i<=n; i++)
    {
        /* Assume that the current number is Prime */
        isPrime = 1;  
        /* Check if the current number i is prime or not */
        for(j=2; j<=i/2; j++)
        {
            /*
             * If i is divisible by any number other than 1 and self
             * then it is not prime number
             */
            if(i%j==0)
            {
                isPrime = 0;
                break;
            }
        }
        /* If the number is prime then print */
        if(isPrime==1)
        {
            printf("%d,\n ", i);
        }
    }
    return 0;
}
 
        
                    
             
        
        
        
Yes the aurthor should know becaus he or her is the one that made it up
        
             
        
        
        
The five conflicts that are found in literature are
Man vs Man
Man vs Self
Man vs Nature
Man vs Society
Man vs Supernatural
If all five of these are options, then I would go with the first four.
I hope this helps!
 
        
             
        
        
        
Answer:The first advantage has to do with clarity and pace—points that coalesce in my mind as story density.
A second advantage of the nonlinear story is that authors can demonstrate a character’s depth and create a compelling story question at the same time.
A third advantage of the nonlinear format is that the writer can increase tension by presenting information out of cause-and-effect sequence.
Explanation:
 
        
             
        
        
        
Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος IPA: [oidípuːs týranːos]), or Oedipus the King, is an Athenian tragedy by Sophocles that was first performed around 429 BC.[1] Originally, to the ancient Greeks, the title was simply Oedipus (Οἰδίπους), as it is referred to by Aristotle in the Poetics. It is thought to have been renamed Oedipus Tyrannus to distinguish it from Oedipus at Colonus. In antiquity, the term “tyrant” referred to a ruler, but it did not necessarily have a negative connotation.[2][3][4]
Of his three Theban plays that have survived, and that deal with the story of Oedipus, Oedipus Rex was the second to be written. However, in terms of the chronology of events that the plays describe, it comes first, followed by Oedipus at Colonus and then Antigone.
Prior to the start of Oedipus Rex, Oedipus has become the king of Thebes while unwittingly fulfilling a prophecy that he would kill his father, Laius (the previous king), and marry his mother, Jocasta (whom Oedipus took as his queen after solving the riddle of the Sphinx). The action of Sophocles' play concerns Oedipus' search for the murderer of Laius in order to end a plague ravaging Thebes, unaware that the killer he is looking for is none other than himself. At the end of the play, after the truth finally comes to light, Jocasta hangs herself while Oedipus, horrified at his patricide and incest, proceeds to gouge out his own eyes in despair.
Oedipus Rex is regarded by many scholars as the masterpiece of ancient Greek tragedy. In his Poetics, Aristotle refers several times to the play in order to exemplify aspects of the genre.[5]<span>[6]</span>