"Deflect" does not suggest a mental process this would suggest that the thought never entered the mind, since it would be "deflected" from the mind and unable to be pondered.
What are you asking? i dont understand your question
Answer:
A. The speaker asks the raven if he will see Lenore again in heaven.
Explanation:
The Raven is a story that creates a contradictory atmosphere by the desire to remember and the desire to forget. It exposes the lover's loneliness, despair, melancholy, sadness shown through his own madness. All these feelings, fueled by the crow's words "never again".
The lover reveals the lack of his beloved, and the words of the raven "never again" culminate in the despair of the lover, whose anguish and sadness create in him a great madness, whose delusions are based on the loss of his beloved and the loneliness he suffers from knowing that he has lost his friends, his hopes and soon his visitor, the raven.
The 1st scene happens in the middle of the night, on the dark and windy castle wall. The guards are freezing with cold and trembling with fear, as there's a Ghost who appears and wants to say something.
On the other hand, the 2nd scene happens at court, where all the courtiers are present, along with the queen and the new king Claudius. Although the former king has recently passed out (or murdered, as the reader will find out later), everybody is serene and optimistic. Only the melancholic prince Hamlet is missing.
The two settings are juxtaposed with a context that binds them together (adding to the contrast, at the same time): everybody is well aware of the strange and sudden circumstances of the old king's death. The 1st scene is spooky because of his Ghost who seeks young Hamlet. The 2nd scene leaves a bitter taste because his funeral has been followed by a wedding all too soon.
Answer:
I believe there are two answers that apply to this question:
A. She believes their relationship has reached a turning point.
C. She is getting tired of talking.
Explanation:
"Hills Like White Elephants" is a short story by author Ernest Hemingway. One of the characters, Jig, is constantly referred to as the girl. However, no mention is made to her age, so we cannot know if she thinks she is too young to be a mother. Jig herself never says that, so we can eliminate option B. We can also eliminate option D. Jig seems to have understood that the world is not the same anymore now that she got pregnant. She knows she can't keep on traveling around, looking at things and trying new drinks - as she describes her life -, but she does not say anything about settling down in Spain.
Throughout the story, we watch her conversation with "the man", her partner. He wants her to have an abortion. He tries to convince her that the procedure is quite simple and that, once it is done, their life will go back to what it used to be. He says that is the only thing that is bothering them, incapable of saying the word "baby" to refer to "that thing", as if he does not wish to have any attachment to it. Jig grows tired of his incessant babbling and begs him to stop talking (option C). She is skeptical about his words and promises, knowing very well that their relationship will never be the same again. They have reached a turning point (option A). He does not love her anymore, he does not see her the same way he used to, he does not find her words interesting. She can see his selfishness clearly now, how insignificant what she wants is to him.
