Ponyboy explains that the greasers rule the poorer East Side of town, while the Socs run the wealthier West Side of town. This oversimplification of the Tulsa setting reflects the characters’ longstanding beliefs that people belong to either one gang or the other, and there is no middle ground. Ponyboy longs to live in a place where no greasers or Socs reside, and he wants to live around “plain ordinary people.” The geographic and social division between the greasers and the Socs doesn’t fade until Ponyboy and Johnny hide out in Windrixville, a pastoral town in the mountains. There, they immerse themselves in nature and spend time reflecting on “the colors of the fields and the soft shadings of the horizon.” In this setting, Ponyboy and Johnny literally shed their social identities when they cut their trademark greaser hair. After saving the children from the burning church, Ponyboy and Johnny become heroes to the Windrixville citizens, solidifying that there exists a setting where they can truly shed their “hood” identities.
C Subject is New Zealand and verb is enjoys
<span>Their relationship is actually quite loving. In this scene Portia actually wakes up to have a little couple’s chat about the state of things. Portia knows Brutus is hiding something and implores him to share his burden. I'm going to go the romantic route and say that Brutus doesn't want to tell Portia because he does not want to involve her in this very dangerous conspiracy. Portia wants to know about the masked men, the secret chats...She says that she is his friend and wife rather than a kept woman. This bond is rather uncharacteristic of nuptial relationships during this period but it is nice to read! Hope this helped you at all!!!!!!!!!!!!!!!!!</span>
True
The goal of every story is to use enough detail, imagery, and description to not need pictures. The reader should be able to visualize the characters and the settings without the aid of illustrations if it is a successful story or novel. The only thing pictures would add would be a concrete visualization, they would not change the meaning of the story at all.
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for two years, ever since he escaped with the Lady Isabeau who the Bishop has lusted after. Navarre and Isabeau have a curse that the Bishop has placed on them that causes Navarre to be a wolf during the night and Isabeau to be a hawk during the day. Navarre insists that Philipe help him re-enter the city to help him kill the heavily guarded Bishop.
