D - A run-on sentence has only one clause
A run-one sentences has at least one independent clause and one dependent clause incorrectly connected.
C in my opinion based on what i read
In the beginning there was only Man Never Known On Earth, and he created everything. Then he created the world, but they weren't separate, and everything was dark. Then the Man (never known on earth) created a man who was known as Man With The Power To Carry Light and a woman named Bright Shinning Woman.
And still there was nothing but darkness. Man With The Power To Carry Light began a slow journey east, he came apon a stranger who told him he'd meet many people along the way, and it was his job to teach them. Then a inpatient voice from the east called to the stranger, it told the stranger of two odd coloured deers approaching. The stranger shot the beasts and this caused the earth to turn, the stars to move, and night to become day. The stranger, who we come come to know as Star That Is Always Moving, went off to follow the wounded deer. Man With The Power To Carry Light stayed by the shore and watched the sun rise from where the mysterious voice had came from. He heads home and notices he travels faster in the day. That night he sees three stars and concludes they were a man and two deers.
After the light the people multiplied, as Star (That Is Always Moving) had said. Man With The Power To Carry Light and Bright Shinning Light went from village to village, and taught the people how to survive.
Then Man With The Power To Carry Light told them they must offer of they game they caught to the moon, stars, and other supernatural beings. He then left him and became the morning star. In order to live a long a life when they saw him rise in the sky they were all to bathe in the river.
You highlight important things and take notes
In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues. The give-and-take between the demands of the social world and individuals’ private passions is another powerful theme in the play. For example, look at how the servants try to attain their desire while remaining on the right side of the law. Note how careful Samson is to ask, “Is the law on our side, if I say ‘Ay,’” before insulting the Montagues (1.1.42). After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level.
Finally, this first scene also introduces us to Romeo the lover. But that introduction comes with a bit of a shock. In a play called Romeo and Juliet we would expect the forlorn Romeo to be lovesick over Juliet. But instead he is in love with Rosaline. Who is Rosaline? The question lingers through the play. She never appears onstage, but many of Romeo’s friends, unaware that he has fallen in love with and married Juliet, believe he is in love with Rosaline for the entirety of the play. And Friar Lawrence, for one, expresses shock that Romeo’s affections could shift so quickly from Rosaline to Juliet. In this way, Rosaline haunts Romeo and Juliet. One can argue that Rosaline exists in the play only to demonstrate Romeo’s passionate nature, his love of love. For example, in the clichés he spouts about his love for Rosaline: “Feather of lead, bright smoke, cold fire, sick health” (1.1.173). It seems that Romeo’s love for chaste Rosaline stems almost entirely from the reading of bad love poetry. Romeo’s love for Rosaline, then, seems an immature love, more a statement that he is ready to be in love than actual love. An alternative argument holds that Romeo’s love for Rosaline shows him to be desirous of love with anyone who is beautiful and willing to share his feelings, thereby sullying our understanding of Romeo’s love with Juliet. Over the course of the play, the purity and power of Romeo’s love for Juliet seems to outweigh any concerns about the origin of that love, and therefore any concerns about Rosaline, but the question of Rosaline’s role in the play does offer an important point for consideration.
