Answer:
Sewing machine, Fabrics and thread, needle and scissors.
Explanation:
There are many tools of trade that are necessary when it comes to fashion and interior design but the
three tools of the trade that I think are most important are;
- The sewing machine: This is the most important tool when it comes to fashion. If there are no machines, how to you intend to sew your fabrics? How do you intend to reproduce what you have imagined or seen somewhere? Therefore this one tool is vital in setting up a fashion store. What of the fabrics to sow? Don't be bothered, customers will come with that and this will lead me to the next important tool which is fabrics.
- Fabrics: without Fabrics there is no way you can reproduce what you have thought of or what you have seen in the fashion magazine, there is no way you can let people know about your work and what you can create with your creativity.
-Thread, needle and scissors: This are also important in the joining and creation of the cloth you deserve. Without needle, threads and scissors, then there no production of clothes. They are as such as important as your sewing machine.
Answer:
Traditional music and songs are those played for a long period of time already in the country. While modern music is those occurred starting in the 20th century.
Explanation:
Country music is always trying to find a balance between the two kinds of music to give importance and recognition. The listener ages vary, but both old and young ones will listen since country music is in between
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
You use a wooden reed for clarinets and saxophones and A metal mouthpiece for flutes and then you exhale air into each instrument
