Answer:
Harriet Beecher Stowe and Rachel Carson are remarkably similar in many different ways.
Harriet Beecher Stowe was an abolitionist and writer who is best known for her novel Uncle Tom's Cabin (1852). The book was extremely important for the abolitionist movement, and it contributed to bringing about the end of slavery. On the other hand, Rachel Carson was a marine biologist, author and conservationist who published a book called Silent Spring (1962). The book led to a ban on damaging pesticides, such as DDT, as well as to the rise of the environmental movement and the creation of the U.S. Environmental Protection Agency.
Both of these women were interested in changing the social reality of the United States. They were both committed to making a change in their society, and took interest in the political issues of their time. Moreover, both authors led this change by writing about the topics that they were passionate about.
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In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Answer:
cuz she has an Ipad and has an e-book
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Explanation:
3. To learn additional details about the topic of the test
but also 4. To focus on the texts purpose
Answer:an intense feeling of deep affection.
"babies fill parents with feelings of love" or
you like something so much you love it example, i like this cup of tea so much i love it.
Explanation:
