Jo additionally adores writing, both perusing and composing it. She creates plays for her sisters to perform and composes stories that she in the end gets distributed. She emulates Dickens and Shakespeare and Scott, and at whatever point she's not doing tasks she curls up in her room, in the edge of the attic, or outside, totally ingested in a good book.
Meg, short for Margaret, is the most oldest and (until Amy grows up) the prettiest of the four March sisters. She's the most typical of the sisters – we think about her as everything that you may expect a nineteenth-century American young lady from a good family to be. Meg luxury, nice things, dainty food, and great society. She's the only sister who can truly recall when her family used to be wealthy, and she feels nostalgic about those past times worth remembering. Her fantasy is to be wealthy once again, and have a big mansion with tons of servants and costly belongings. She's additionally somewhat of a sentimental; when she needs to tell a story to delight her sisters, it's about love and marriage, and Jo begins to suspect at an early stage that Meg may have a genuine Prince Charming in her thoughts. Meg is sweet-natured, devoted, and not in the least flirtatious – truth be told, she's unreasonably great and proper. Maybe that's the reason she's so alarm by her sister Jo's boisterous, tomboyish behavior.
The author used fictional elements to develop a theme in the
story "Look Homeward, Angel" by developing the societal outcast theme
through characterization.
To add, "Look Homeward, Angel"<span> covers the span of time from Eugene's birth to
the age of 19. </span>
Answer: They can find a community that can relate to them,and help them with the same thing they are going through.
Explanation:
Answer:
Some similarities between the society of Fahrenheit 451 and our world today are that technology is more advanced and prevalent, and that people are less inclined to read substantial books.
Explanation:
