he was the author of the Declaration of Independence.
Answer:
When Law came to France in 1714, he renewed his acquaintance with the nephew of King Louis XIV, the Duke of Orleans. The duke became Regent of France after the king's death in 1715. The regent served as ruler while the heir to the throne, five-year-old Louis XV, was still a minor. The duke recalled Law's financial prowess and sought his advice and assistance in straightening out France's financial mess left over from years of reckless spending under Louis XIV.
–"John Law and the Mississippi Bubble,"
Jon Moen
What made the Duke of Orleans seek John Law’s help?
Law was an important acquaintance of the new French king.
Law was known for being successful in the world of economics.
Law held economic control of another colony in North America.
Law was a regent, which was a major position within the French government.
answer is B. Law was known for being successful in the world of economics.
Explanation:
The growth of industries in America started in the earlier 1800s and continued all through to the civil wars. After the war was over, the industries in America had become small, and labor remained widely but limited the production of more products.
Many businesses operated in small companies because lacked enough capital to expand. The American industry changed drastically after the war due to the introduction of machines that replaced manual labor, thus increase production. Investors also improved and expanded their operations.
The answer is B, after escaping he published books and articles to speak out against slavery and spent most of his career fighting for the abolition of slavery
Answer:
Ladislav Sutnar
Explanation:
Ladislav Sutnar was a native of Czechoslovakia and was widely known for being one of the finest graphic designers and a forerunner of information design and architecture.
During his lifetime, while he was in Czechoslovakia, Ladislav Sutnar became the leading supporter and practitioner of functional design.
He advocated the constructivist ideal and the application of design principles to every aspect of contemporary life. His book jackets and editorial designs evinced an organizational simplicity and typographic clarity, giving graphic impact to the communication.
A good example is the 1929 cover design for Getting Married, in which a triangle creates a strong focal point, unifies the silhouetted figures, and becomes the main structural element in a delicately balanced composition.
