Answer: One main clause and one subordinate clause.
Explanation:
<span>Dear J.K. Rowling
I really appreciated your book "Harry Potter and the Half-Blood Prince". The serious tone Harry uses when speaking truly underlines dire times felt within the wizarding world. I could never find the right words to use when setting my plot, but I was truly inspired by your use of diction to control the tempo of a long narrative. This tempo control ran throughout the text, emotionally tying specific plot devices to the perspective of a character and framing their state of being.
In conclusion, I hope my writing can glimpse a shadow of your craft. When I write in first person, as you did with Harry, I often now compare my use of language to your descriptive tendencies and search for improvements. Not writing extremely long sentences, or using out of character phrasing, but instead giving just enough detail to paint a vivid picture. If this gets to you, I hope you can write me back, I've attatched a pdf of a recent poem and hope you can give me some notes.
Thank you,
Sincerly...</span>
The plot is always the overriding idea in fiction.
Answer:
A) She uses comparisons to show the speaker’s connection to the snake .
Explanation:
Well, in the poem, she sees a snake slithering through the grass. With that view, she remembers a time when she was younger and interacted with a snake:
"A narrow fellow in the grass...
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Yet when a child, and barefoot,
I more than once, at morn..."
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Dickinson also said how the snake seemed scary to a lot of people, but in reality it was not:
"But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.
