Answer:
In Zhou's <em>Autumn Colors</em>, atmospheric perspective is demonstrated by decreasingly dark strokes the further background elements are from the point of view. Zhou provides more line details and darkness in the foreground strokes, such as in the trees and vegetation, indicating closer proximity to the viewer. On the other hand, Kensett's work involves more realism and involves color. It has a more clearly defined vanishing point than Zhou, and atmospheric perspective is demonstrated by the decrease in saturation, detail, and contrast of the distant mountain range. Objects in the foreground are more saturated, have more detail (such as blades of grass), and are finely depicted as reflecting the light source. Zhou relies on stroke detail and intensity, while Kensett relies on color tones and a defined vanishing point to convey atmospheric perspective.
Answer:
Explanation:
i think technology is good
it affects and also help people like me the only time i use internet is for my art projects or stuff for school
Although I'm not sure, I do believe it is "Delphic Sibyl". Good luck!
Answer:
He spent 1883 on his first major painting - a huge canvas titled Bathers at Asnieres.
Explanation:
He shared a small studio on the Left Bank with two student friends before moving to a studio of his own. For the next two years he devoted himself to mastering the art of black and white drawing.
