Survivor’s guilt, im not sure if this is supposed to be a multiple choice question but i would recommend adding the choices
Because those were the so-called Roaring Twenties. That was the period of extreme wealth, both in the sense of money, and art and culture. Those were the "crazy years", of industrial growth, changes in lifestyle and cure, and of course, the blossoming of jazz music. In that way, the spirit of the whole era was crazy for parties, and thus, Gatsby's parties exemplified exactly that.
Answer:
When one is charged a little bit at a time until the expense grows beyond expectations, that is called being "nickel and dimed." In 2001's Nickel and Dimed: On (Not) Getting By in America, essayist and social critic Barbara Ehrenreich applies this notion to minimum-wage workers. She argues that their spirit and dignity are chipped away by a culture that allows unjust and unlivable working conditions, which results in their becoming a de facto, or actual without being official, servant class. Spurred on by recent welfare reforms and the growing phenomenon of the working poor in the United States, Ehrenreich poses a hypothetical question of daily concern to many Americans: how difficult is it to live on a minimum-wage job? For the lower class, what does it take to match the income one earns to the expenses one must pay?
