<span>Religious beliefs have
highly influenced the political and hierarchical structures in both Ottoman and
Safavid Persia empires. Although both states were of Islamic religion, they
belonged to different branches, Sunni and Shia. These branches differ over the
choice of Muhammad's successor, which subsequently acquired broader political
significance, as well as theological and juridical dimensions. Sunni Muslims
believed that Muhammad didn’t clearly appoint a successor, which is why there
isn’t hereditary succession law in Ottoman Empire. This contrasts with the Shia
Muslims view, which holds that Muhammad appointed his son-in-law and cousin Ali
ibn Abi Talib to succeed him. They believed that the empire should be led by
direct successor of Muhammad’s line. Differences between these two branches
affected the politics, as Shia Muslims weren’t religiously tolerant to other
confessions and considered them for heretics, even the other branches of Islam.
This resulted in the besieged of Bagdad, which was followed by the massacre of
a large part of its Sunni Muslim inhabitants, as it was endeavored to transform
Baghdad into a purely Shiite city. The besiege of Bagdad was the event that led
to the Ottoman-Safavid war (1623–1639).</span>
1.melody short phrases, large leaps
Towards the end of the past century composers as Steve Reich La Monte Young, Philip Glass, they began to explore what is now called minimalism, in which the music is stripped down to its most fundamental features; the music often features repetition and iteration. An early example is Terry Riley's In C from 1964, perhaps a random work in which short phrases are chosen by the musicians from a set list and played an arbitrary number of times, while the note C is repeated in quavers behind them. Philip Glass works are on the most representative perhaps also featuring as soundtracks of movies.
2, harmony mixed meter
This caused a very new sensation with an extreme irregular rhytm. While time signatures usually express a regular pattern of beat stresses continuing through a piece (sometimes a section), sometimes composers place a different time signature at the beginning of each bar, resulting in music with an extremely irregular rhythmic feel.
Examples;Promenade -- Modest Mussorgsky's Pictures at an Exhibition (1874) The opening already shows signs of this implement
3· rhythm atonality
Atonality first began as a pejorative term to condemn music in which chords were organized seemingly with no apparent coherence. the term describes music that does not conform to the system of tonal hierarchies that were traditionally seen in classical European music between the 1700's and 1900'a centuries Example; ending Schoenberg's "George Lieder" Op. 15/1
4.dynamics extremes
some pieces started to use additional markings of further emphasis. Extreme dynamic markings introduced an extreme range of loudness, or, and sometimes accompanied with very small differences of loudness within a normal range, this huge change was made possible with the orchestration of the work, usually using many loud instruments like brass and percussion playing at once. It became more widespread in late 1900s.
Answer:
ahh because they needed for food?
Explanation:
The way that the Catholic Church responded to ninety-five Theses was: Catholic church condemed Martin Luther and asked him to recant.
The theses created by Martin Luther exposed the corrupt situation that was happening within the Catholic Church at that time. They beleive that if the ninety-five theses left uncontrolled, it would became a hindrance for the church's power within the government and create a financial defisit for the church.
The main impact of the Anti-Federalists on the adoption of the US Constitution was that "<span>Their concern for preserving liberty led to the inclusion of the Bill of Rights in the ratified form of the Constitution," since they were worried that this new government would become tyrannical. </span>
