Answer:
The Three Kingdoms Period of ancient Korea (57 BCE – 668 CE) is so-called because it was dominated by the three kingdoms of Baekje (Paekche), Goguryeo (Koguryo), and Silla.
Explanation:
https://www.worldhistory.org/Three_Kingdoms_Period_in_Korea/#:~:text=The%20Three%20Kingdoms%20Period%20of,(Koguryo)%2C%20and%20Silla.
Hope this helps.
<h2><u>Answer:</u></h2>
DAVID SMITH is an American sculptor(1906– 1965), he created metal figures that have affinities with the Abstract Expressionist movement in painting. He figured out how to weld in a vehicle plant in 1925 and later connected to his art the technical ability in dealing with metals he picked up from that experience.
Also, working in huge scale at the industrial facilities helped him picture the potential outcomes for the stupendous metal model. In the wake of trying different things with an assortment of sculptural styles and materials, Smith made his Cubi series in the mid-1960s.
These works, for instance, Cubi XIX, comprise of simple geometric structures solid shapes, barrels, and rectangular bars. Made of stainless steel areas heaped on each other and afterward welded together, these expansive scale models put forth a striking visual expression.
Smith included gestural components reminiscent of Abstract Expressionism by shining the metal with steel fleece, creating abstract looking examples that attract attention regarding the two-dimensional of the sculptural surface.
In music theory<span>, a </span>scale<span> is any set of musical </span>notes<span> ordered by </span>fundamental frequency<span> or </span>pitch<span>. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Some scales contain different pitches when ascending than when descending, for example, the </span>melodic minor scale<span>.</span>
Answer:
a. orange
Explanation: is correctEdg
There are three basic types of relief sculpture: (1) low relief where the sculpture projects only slightly from the background surface; (2) high relief where the sculpture projects at least half or more of its natural circumference from the background, and may in parts be wholly disengaged from the ground, thus approximating sculpture in the round. [Sculptors may also employ middle-relief , a style which falls roughly between the high and low forms]; (3) sunken relief, where the carving is sunk below the level of the surrounding surface and is contained within a sharpely incised contour line that frames it with a powerful line of shadow. The surrounding surface remains untouched, with no projections. Sunken relief carving is found almost exclusively in ancient Egyptian art, although it has also been used in some beautiful small-scale ivory reliefs from India.