“The Lagoon” is actually a short love story that was written by Joseph Conrad. The protagonist in this story is Arsat who is a Malayan man, who fell in love with Diamelen. This story tells us that he is someone who is unafraid to risk his life but who is also capable to love someone. Therefore, the answer to this would be the last option: <span>Love is the greatest driving force in human decisions.</span>
The main idea of to kill a mockingbird idk.
I believe this all depends on the situation, but I'm leaning towards
"To bring about an emotional response as a rhetorical strategy as the best means for conveying critical information." (Or the 2nd one)
Answer:
<em>Most people are aware of the expression “It's the thought that counts,” meaning that it's not what you give that matters but the thought behind it. And this longstanding truism undoubtedly constitutes one of the main themes of “The Gift of the Magi” by O.Henry.</em>
<em>Most people are aware of the expression “It's the thought that counts,” meaning that it's not what you give that matters but the thought behind it. And this longstanding truism undoubtedly constitutes one of the main themes of “The Gift of the Magi” by O.Henry.Both the characters in the story, Della and Jim, inadvertently give each other worthless gifts for Christmas. Della buys Jim a chain for his watch by using the proceeds from selling her hair to an upscale salon. At the same time, Jim, blissfully unaware of what Della has done, buys his wife a set of fancy combs using the money he received from selling his watch. Each wanted to give the other something special for Christmas, but now they've both been lumbered with things they can't actually use.</em>
<em>Most people are aware of the expression “It's the thought that counts,” meaning that it's not what you give that matters but the thought behind it. And this longstanding truism undoubtedly constitutes one of the main themes of “The Gift of the Magi” by O.Henry.Both the characters in the story, Della and Jim, inadvertently give each other worthless gifts for Christmas. Della buys Jim a chain for his watch by using the proceeds from selling her hair to an upscale salon. At the same time, Jim, blissfully unaware of what Della has done, buys his wife a set of fancy combs using the money he received from selling his watch. Each wanted to give the other something special for Christmas, but now they've both been lumbered with things they can't actually use.But in the final analysis, none of this matters. In giving each other worthless gifts, Jim and Della may not have been wise; but, as the narrator points out, they nonetheless showed wisdom in selling the most valuable thing they...</em>
Explanation:
Hope It Help you
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
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