Both the North and the South thought the war would only last a few weeks to months. The North thought that as soon as the South saw the devastation of the battle field they would give up because they wouldn't want to lose so many men. The giving up slavery would be worth saving thousands of lives. The SOuth thought they could wait out the North. Between having the North tire itself out and key battlefield victories, they thought that the popularity for the war would wane and the North would simply give up. Neither side was correct and both were set in the idea that they would be free or bring the nation together. No matter the cost in human life.
state laws and customs upheld the constitutional amendments
Answer:
YEs if you give me brainliest
Explanation:
The Songhai Empire (also transliterated as Songhay) was a state that dominated the western Sahel in the 15th and 16th century. At its peak, it was one of the largest states in African history. The state is known by its historiographical name, derived from its leading ethnic group and ruling elite, the Songhai. Sonni Ali established Gao
as the capital of the empire, although a Songhai state had existed in
and around Gao since the 11th century. Other important cities in the
empire were Timbuktu and Djenné, conquered in 1468 and 1475 respectively, where urban-centered trade flourished. Initially, the empire was ruled by the Sonni dynasty (c. 1464–1493), but it was later replaced by the Askiya dynasty (1493–1591).
Answer: Graffiti artist
THIS IS NOT MY ANSWER THIS IS WIKIPEDIÀ
Explanation: Jean-Michel Basquiat was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement. Basquiat first achieved fame as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams in the cultural hotbed of Manhattan's Lower East Side during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in documenta in Kassel. At 22, he was the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his art work in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience.
