Answer:
Explanation:
the story adds complexity to the theme of multiple truths and shows Mariam's shift from childhood to adulthood. The theme of multiple truths is developed through Mariam's desire to see Herat and be a public part of her father's life. She has heard his stories, and believed them, and wants his stories of a full and lively life to be hers as well. However, what she learns is that Jalil has been selective in the information he tells her; he may love her, but only on his own terms. Once Mariam realizes that her father allowed her to sleep on the street rather than bring her into his home, she is traumatized and realizes there is more truth to Nana's stories than she initially thought. Through this realization, Mariam begins to see the flaws in her understanding of her parents; she saw only the surface of Jalil's kindness and Nana's bitterness, not the complex feelings lying beneath their behavior. Thus, Hosseini shows the reader that truth is often more complex than it initially seems, and truth can emerge in unexpected ways. While it's true that Jalil loves Mariam, it's also true that he's ashamed of her. While it's true that Nana resents her lot in life, it's also true that she wants to protect her daughter.
Answer:
I'm pretty sure its participial
Explanation:
Answer:
D
Explanation:
It would be "D" because it's giving instructions on how to do something. If it's not using the chronological outline then the instructions would not make sense.
“The Buried Life” is a ninety-eight-line poem divided into seven stanzas of varying length with an irregular rhyme scheme. A monologue in which a lover addresses his beloved, the poem yearns for the possibility of truthful communication with the self and with others.
The first line evokes the banter of a loving couple, but it is immediately checked by the deeply sad feelings of the speaker. Troubled by a sense of inner restlessness, he longs for complete intimacy and hopes to find it in his beloved’s clear eyes, the window to her “inmost soul.”
As the second stanza suggests, not even lovers can sustain an absolutely open relationship or break through the inhibitions and the masks that people assume in order to hide what they really feel. Yet the speaker senses the possibility of greater truth, since all human beings share basically the same feelings and ought to be able to share their most profound thoughts.
In a burst of emotion, expressed in two intense lines, the speaker wonders whether the same forces that prevent people from truly engaging each other must also divide him and his beloved.
The fourth stanza suggests that direct contact is possible only in fugitive moments, when human beings suddenly are aware of penetrating the distractions and struggles of life and realize that their apparently random actions are the result of the “buried stream,” of those unconscious drives that motivate human...
