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Vlad [161]
3 years ago
15

Which of the following revisions would you make to keep the meaning of the sentence and use the active voice?

English
1 answer:
Anna11 [10]3 years ago
8 0

Answer:

The answer is B!

Explanation:

.

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Which sentences contain a restrictive or nonrestrictive relative clause? Check all that apply.
garri49 [273]
<span>b. I visited the bookstore while you were shopping for a computer.


</span>Example:
"Where they can find food easily"
 is an example of an adverbial clause. It is an adverb of place, answering the question: Where do most animals thrive?


Adjective clauses modify the noun or the pronoun in the sentence's main clause. The first thing to do is to identify the two clauses in the sentence.

First clause: Those may enter the park (the main clause)
Second clause: whose tickets have been punched (the subordinate clause)

Since adjective clauses generally start with a relative pronoun, it is clear that the second clause is the adjective clause. The relative pronoun is "which". Another clue is that adjective clauses are always the subordinate clause. It modifies the pronoun <em>those</em><span>.<span>
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3 0
3 years ago
Read 2 more answers
PLZ HALP!!!!! What is the relationship between these two paragraphs?
max2010maxim [7]

Answer: 3rd option IMO

Explanation:

IF you like my answer, please use star system.

6 0
2 years ago
Giving characters struggles and motivation
Shalnov [3]
To give your characters struggles and/or motivation, you need to find something they want to strive toward. Your character is a person, just like anyone in real life. They have goals, they have things they hate. They have a backstory that could provide a reason for their struggles, such as they grew up in a fairly wealthy home, but now they got disowned and are dealing with how to make their own money.
Motivation tends to come from a struggle. For example, the character that is struggling with how to make their own money also has a motivation: money. They are used to having money, that now that they don't, they're going to try to get that money back. Sometimes, the character will have a lull in their motivation, which gives a perfect chance for a climax in the story. Something big happens to give them their push. Maybe they lose the apartment they were staying in because they were too lazy to find a job. Or maybe their significant other tells them that because they're such a worthless, jobless loser, that they're breaking up. No matter what this big event is, it shakes the character out of whatever lull they've been having and shows them that they need to be able to overcome their struggle, therefore providing them with their motivation back tenfold.
I hope this explains this well enough for you, but I can always try to answer in more detail if you'd like.
5 0
3 years ago
I will never never use this app it has wrong answers when i need them the most
Colt1911 [192]

Answer:

ikr

Explanation:

please mark as brainliest

6 0
3 years ago
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Why did S.E. Hinton not give a specific town or date in The Outsiders?
Oksana_A [137]
Ponyboy explains that the greasers rule the poorer East Side of town, while the Socs run the wealthier West Side of town. This oversimplification of the Tulsa setting reflects the characters’ longstanding beliefs that people belong to either one gang or the other, and there is no middle ground. Ponyboy longs to live in a place where no greasers or Socs reside, and he wants to live around “plain ordinary people.” The geographic and social division between the greasers and the Socs doesn’t fade until Ponyboy and Johnny hide out in Windrixville, a pastoral town in the mountains. There, they immerse themselves in nature and spend time reflecting on “the colors of the fields and the soft shadings of the horizon.” In this setting, Ponyboy and Johnny literally shed their social identities when they cut their trademark greaser hair. After saving the children from the burning church, Ponyboy and Johnny become heroes to the Windrixville citizens, solidifying that there exists a setting where they can truly shed their “hood” identities.
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