MRS. PETERS. But I’m awful glad you came with me, Mrs. Hale. It would be lonesome of me sitting here alone. MRS. HALE. It would,
wouldn’t it? (Dropping her sewing). But I tell you what I do wish, Mrs. Peters. I wish I had come over sometimes she was here. I— (Looking around the room.)—wish I had. MRS. PETERS. But of course you were awful busy, Mrs. Hale—your house and your children. MRS. HALE. I could’ve come. I stayed away because it weren’t cheerful—and that’s why I ought to have come. I—I’ve never liked this place. Maybe because it’s down in a hollow, and you don’t see the road. I dunno what it is, but it’s a lonesome place and always was. I wish I had come over to see Minnie Foster sometimes. I can see now—(Shakes her head.) How would a film version most likely emphasize the women’s emotions during this scene? by focusing on the lighting in the background by focusing on the different props being used by focusing on the women’s varied costumes by focusing on the women’s facial expressions
When we're expressing our emotions, we don't use only our words (verbal communication). Nonverbal communication is also very important. Things such as facial expressions, gestures, posture, and tone of voice are all parts of nonverbal communication and represent powerful communication tools. They often reveal more than words. For example, if someone is sad and says they are not, we can still conclude how they truly feel based on their facial expressions and voice.
A film version of the given passage would emphasize the woman's emotions by focusing on her facial expressions. The rest of the options have nothing to do with that as they focus on the scene and costumes.
A, she is unconcerned that she has caused a dramatic situation, because i️t says there would be no sequel to the kitchen where there was some type of happening and now zeena is in bed “steady breathing” not concerened at all
