1. The author describes Buck's progress as retrogression because <span>B. Buck was returning to his ancient instinctual roots. He is partly domesticated, but nevertheless he feels the urge to return to his roots of a wild animal.
2. The literary element </span><span>that describes how Francois and Perrault speak in the novel is called C. dialect. It is the way that people talk in some areas of the world.
3.The option which is not an element of plot is A. point of view (because that is the perspective of the novel), whereas climax and exposition are.
4. Climax is the most intense part of a novel which leads to the resolution of a text. Here, the climax in chapter 3 is when B. Buck and Spits have a final confrontation. </span>
This is a tough questions because we know that obviously Eve did eat from the tree first so that makes her possibly the most guilty. Pandora was told to never open the box. However, her curiosity (alike of Eve) forced her to open it, releasing all of the negative evil things into the world. I would say the answer is B
Answer:
Injustice is a quality relating to unfairness or undeserved outcomes. Judging a group of people on the actions of a few individuals is also known as stereotyping.stereotype typically applies as we use it above—to refer to a commonly held mental picture that represents an oversimplified opinion, a prejudiced attitude, or an unconsidered judgment about someone or something.Traditional printing of the mechanical rather than human-with-writing-implement kind originally involved a typographer painstakingly placing each type piece—each letter, each item of punctuation, etc.—onto a plate. Ink would then be applied to the type, and paper laid over it, before an upper plate would be lowered onto it and pressed against it, thereby transferring the ink to the paper. Gutenberg's original mid-15th century wooden press could print about 250 pages per hour. If you wanted to print more than that, you'd need more presses, and each would need to be loaded individually with type pieces.
This worked, but by the time the late 18th century had rolled around, an ever-increasing demand for printed material was happily met with innovation: the stereotype was a kind of printing plate that could be one of many. The process for creating a stereotype began with the original kind of plate, which was then used as a form to create a mold (technically a matrix) made of a mat or papier-mâché. The matrix was strong enough to be used for casting multiple stereotypes from hot metal. The durable stereotypes could then be used over and over to print multiple pages.
im not sure about this answer but i hope it helps
