This poem utilizes distinctive symbolism and cautious word decision to pass on the magnificence of fall. The second and fourth lines of every stanza rhyme and the writer utilizes unpredictable musicality. Similar sounding word usage is a general procedure in this ballad. The writer is utilizing both strict and metaphorical dialect all through the ballad. She watches the sun sparkling on different things and utilizes distinctive symbolism to underline the excellence she finds in this pre-winter day. Non-literal dialect is found in her depictions. She says the daylight "flares fire like on the fire hydrant," utilizing a likeness to demonstrate how brilliantly it sparkles. She closes with a representation contrasting the September daylight with a chameleon.
Answer:
So they are steady coming up Broadway and I see right away that it’s going to be one of those Dodge City scenes cause the street ain’t that big and they’re close to the buildings just as we are.
Explanation:
Where the comma should go in the sentence
Ellie puts Coop on the stand the next day. This testimony turns intensely personal for a few moments before Ellie is able to get a handle on her emotions and direct Coop toward Katie and her treatments. Coop speaks about the dissociative state and how it relates to Katie's case. Coop suggests that the death of the infant from natural causes would be enough to cause Katie to block out the child's death. The prosecution questions Coop and tries to put holes in his case. Finding this to only be marginally successful, the prosecution asks Coop about his relationship with Ellie, suggesting their intimate relationship has something to do with his testimony.
Ellie calls Samuel next. Samuel speaks of Katie's character and the Amish way of life. When the prosecutor attempts to get Samuel to admit Katie is capable...
Answer:
Julia tried hard to persuade me. However, I still did not go to the party.
Explanation:
