D. They formed trading posts along the Mississippi River.
The French were the one European group not really focused on converting the local Native Americans - A. is more accurate for the Spanish. B. Is incorrect as well, as Spain was the first to discover and explore Florida and the Gulf Coast. They had no need of slaves, because they were mainly focused on hunting and trade, not agriculture, so they did not introduce slavery to the area. However, they did form trading posts along the Mississippi to gain valuables from the Native Americans there. They sold beaver pelts, and the fur of other hunted animals.
Answer:
Setting is less important than dialogue.
Explanation:
<u>Setting is developed in stage direction.
</u>
<u>Setting is developed through descriptive text.
</u>
Setting is key to creating mood and tone.
Setting is less important than dialogue.
underlined text are completely wrong.
the last 2 are maybe's
But "Setting is key to creating mood and tone.
" this is more important in a short story.
Answer:
The speaker feels lost in America, but more importantly she feels as if she has lost the imagined America of her dreams.
Explanation:
Answer:
Altered photographs literally do not represent the truth.
Explanation:
Some of the legal and ethical issues associated with using manipulated photographs include:
a. The tendency to abuse the subject’s reputation and sensitivities
b. The issue of the truthfulness of the photographs in order to protect false representation especially in commerce and advertisement. Although with a clause of exception when used in artwork.
c. Another issue is that which deals with copyright or content ownership. It is unethical to use manipulated photographs for a purpose when you do not have rightful ownership over the image.
In summary, the law primarily protects private interests in the authenticity of the image, while the public interest in the authenticity of the image is mainly found in the Trade Practices Act, which again operates in the commercial context. These laws are interested in the labelling of the artwork, not its truth value, unless there is some falsehood in the representation.
