Answer: Underpainting. Work paint up from thin to thick, especially when using slow-drying paints. ...
Blocking in. Brushes come in a number of shapes and fibre types. ...
Building up texture. Have a dry flat brush you can use to blend and create smooth transitions. ...
Dry brushing. ...
Sgraffito. ...
Glazing. ...
Painting with mediums.
Explanation:
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Answer:
represents an abstract idea
The answer is "false". He was the son of a wealthy Florentine notary and a peasant woman.
Leonardo da Vinci was a Florentine artist, one of the colossal bosses of the High Renaissance, celebrated as a painter, stone carver, modeler, specialist, and researcher. His significant love of information and research was the keynote of the two his masterful and logical undertakings. His advancements in the field of painting impacted the course of Italian workmanship for over a century after his passing, and his logical investigations - especially in the fields of life systems, optics, and water power - foreseen a considerable lot of the improvements of present day science.
Leonardo was born on April 15, 1452, in the residential community of Vinci, close Florence, in Tuscany. He was the child of an affluent Florentine public notary and a peasant woman.
Answer:
Answers will vary but should include a description of the process. Monotype offers several technical advantages. The range of colors is unlimited, as is the potential for lines or tones. No problems arise with cutting against a grain or into resistant metal. The artist can work as freely as in a direct process such as painting or drawing but the final print may feature blended colors and softened contours. The textures of brush strokes on the plate disappear into flatness on the paper. Some artists prefer this process because of the unique nature of the print. The initial, original image is not permanent and is recorded in the subsequent print. Employing a particular technique is a personal choice and involves the unique qualities the particular technique produces.
Answer:
During a kayaking exploration, a girl called Melinda took pictures. She spent the majority of the time examining the lighting, angle, or some such thing of her photos, determining if they were worthy to be posted on her social media. She failed to contribute to the experience of being one of the ones propelling the boat forward or interact in any other way than annoyance at being distracted by anything or anyone. It is fair to say that Melinda did not have the optimal experience due to her desire to catalogue the experience that she was hardly a part of.
At his wedding reception the groom, Ben, took shaky photos of himself, his new bride, and his friends and guests. In the vast majority of the photos, his smile could rival the most gleeful known to humankind. When he thought to, he catalogued the details in between the ceremony, the speeches, the first dance, and the send off to the honeymoon. His memories were centered upon the experience and not the pictures he took during his enjoyment of his special day. It is fair to say that Ben had the optimal experience because the process of taking the pictures did not impact the day in any memorably negative way.
