Both jasper johns and Robert Rauschenberg were <u>assemblage</u> artists, although the appearance of the final artwork is different, they both used objects that were first created for a different purpose, and re-purposed them into their artwork.
What are assemblage artists?
Art is created by the assembly of several components—oftentimes commonplace objects—that have been either carefully purchased or scavenged by the artist. Assemblage has been used as a method of creating art since Pablo Picasso's cubist creations, the three-dimensional works he started creating in 1912. In art, assemblage refers to a piece created by incorporating commonplace items into the composition. Each non-art object, such as a piece of rope or newspaper, may still retain some of its original identity even though it has acquired aesthetic or symbolic meanings within the context of the entire work.
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I believe the answer is false. Just ignoring your problems is a terrible idea. You should always try to fix them, or else they can just keep getting worse.
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Sign writers design, manufacture and install signs, including advertising signs for shops, businesses and public facilities as well ... Traditional signwriters use methods closely related to those of their forebears in this craft and do not ... Designs are often created by hand on the drawing board and later combined with CAD It was so easy for a new tenant to call Martin to do the job of lettering , for Martin's ... just at the moment when he found himself in need of a sign writer's services . John Martin has a big shop now , but he has not forsaken the little gummed label ... The two other , older firms have now adopted the same device
<span>Secular Renaissance music held "madrigal" to sacred Renaissance music. </span>Secular<span> means being separate from. In the West, </span>secular music<span> developed in the Medieval period and was used in the Renaissance. </span>A madrigal<span> is a secular vocal music composition, usually a part song, of the </span>Renaissance<span> and early Baroque eras.</span>
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In 1508, 33-year-old Michelangelo was hard at work on Pope Julius II's marble tomb, a relatively obscure piece now located in Rome's San Pietro in Vincoli church. When Julius asked the esteemed artist to switch gears and decorate the Sistine Chapel's ceiling, Michelangelo balked.
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