one claim she is making is that she has done everything on her own and she never had a man help her. she is stating that she doesn't need someone to help her because she is an independant woman.
Answer:
i dont have enough time to write 150 words, but you can write about the fiction of Healing robots or medicine. People are starting to invent tiny chip like things that go in the bodies of people or maybe a flying motor cycle i think its been made already just stuff like that
Explanation:
Answer:
this is what i would say, I've read this b4 and had a question similar
Explanation:
One way I would describe dictatorship in the story is when the man was using his power to hurt Nina when she kept saying that she doesn’t know where the general is. They beat her up badly, and didn’t let her go to her son, even when she implored* that he was going to die. She had no way to escape especially since she was feeble*. This person, is a barbarous* and egocentric* person that only cares about his power, and that tries his best to get what he wants and not in a good way,: “Well if you won’t answer we’ll make you crush some quicklime and see if that reminds you which way the general went!...One of the men guarding the door pushed her roughly to the ground; another gave her a kick which laid her flat...At twenty to five they left her lying unconscious on the ground….“Oh my son is dying! Oh my son is dying! Oh my life, my little one, my life! For God’s sake come! Open up, for God’s sake, open the door! My son is dying! Holy Virgin! Blessed Saint Anthony! Jesus of Saint Catherine!”. This conveys that this dictatorship shown here in the text is cruel and he doesn't care what type of person he beats up, he tries his best to get what he wants even if it means hurting people and killing them.
1*= begged
2*= week
3*= exceedingly brutal
4*= selfish; only cares about himslef
i really hope that this helped :D
Answer:
With officers in <em>the </em>(a)<em> </em>night, <em><u>he </u></em>(b)<em><u> </u></em>would march to <em><u>the canteen </u></em>(c)<em><u> </u></em><u><em>like a </em></u><em><u>guardsman. </u></em>(d)
(a) The article "the" is missing before the word night.
(b) "he" is the subject of this sentence. The subject is rather undefined, vague, and needs to be investigated for one to have a clearer understanding of what this snippet is all about.
(c) "the canteen": This is another mystery noun in the above sentence. It begs the question of location. It also raises the question of why the "he" would match off to a canteen in the night.
(d) "like a guardsman": This is a simile that electrocutes the imagination. In this sentence, the three words above, besides acting as a simile and imagery (both of which are literary tools), functions as an Adverbial Clause which serves to qualify the verb <u>march.</u>
Explanation:
The only instruction given in the question is to Annotate.
To annotate means to give more <em>meaning to, to explain, to interpret, or to make more meaningful.</em>
Please note that an adverbial clause is a dependent clause that while functioning as an adverb qualifies another adverb, a verb, or even an adjective.
By way of further annotation, it suffices to say (with respect to the Grammatical Person) that the sentence above is reported in the third person singular.
Cheers
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Answer:
Death and the King's Horseman isn't just about a clash of cultures—it's also about a clash of religions. Yoruba spirituality and Elesin's attempts to confront mortality and the afterlife are very much at the heart of the story, and Soyinka himself sees the spiritual dilemmas that the play presents as the key thing going on. The play definitely prompts us to think about different religions and customs and how they intersect and clash, dropping references to Islam and Christianity as well as lots of discussion of Yorubam religious practices.
Explanation:
By showing the richness of Yoruba traditions while simultaneously failing to show the British characters actively engaged in any kind of religion, Soyinka suggests the emptiness of British customs and religion.
