I would argue that the character of the young Daisy Miller was an innocent flirt rather than a manipulator. She was full of life, of freedom, of sincerity, and of grace, and she was beautiful, carefree, charming, and certainly ahead of her time, but she was far from being a manipulator. She had "a great deal of gentlemen's society," as she herself pointed out, but she was unpretentious, "unsophisticated," and "completely uncultivated," as Winterbourne described her, so it is possible to say that she acted naturally, not in a manipulative way.
This can also be confirmed in the passage that narrates the moment when they both met: "... (Daisy) was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony." This, once again, indicates that she was honest and straightforward, and far from Machiavellian.
The best summary of paragraph 2 is: "Gregor knows by the reality surrounding him that he has become a bug" (C).
Paragraph 2 is a description of the character's surroundings.
Through Gregor Samsa's eyes, the reader is given a look around the bedroom as Samsa is looking around him to try to find an anchor to reality: "It wasn't a dream;" "a proper human room." His reasoning is probably that if this metamorphosis was all a dream, his room would not look exactly like it was in real life. Yet, because the depiction of the room is so precise, with many details (like the textile samples on the table and the very specific description of the magazine cut-out), Samsa reaches the conclusion that this might be real.
Answer:
The logical structure that Abra uses for her narrative is the chronological order
Explanation:
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B is something good to do. D. Is also one of those. A. is the same. Chose C. That's your answer.
Answer:
Accident: unforseen event,mishap,disaster
Epitome:an abridgement,a compendium
