Answer:
Pathos is an appeal made to an audience's emotions in order to evoke feeling. Pathos is one of the three primary modes of persuasion, along with logos and ethos. Pathos is a also a key component of literature which, like most other forms of art, is designed to inspire emotion from its readers
Explanation:
員員員Pathos is an appeal made to an audience's emotions in order to evoke feeling. Pathos is one of the three primary modes of persuasion, along with logos and ethos. Pathos is a also a key component of literature which, like most other forms of art, is designed to inspire emotion from its readers
I believe the correct answer from the choices listed above is the second option. The part of a plot structure introduces the characters and setting would be exposition. It <span>is the insertion of important background information within a story</span>
Hope this answers the question. Have a nice day.
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
<span> </span>
I guess it would either be mood or syntax
Answer:
A warrior <u>frightens</u> a gruesome monster <u>away.</u>
Explanation:
When you complete a sentence you have to make sure that the combination o verb and predicate are compatible, and that they express in the best possible way what you are trying to say. So let's analyze the answers:
1) frightens; away: this is grammatically correct, and both words combine well and add meaning to the message.
2) splits; in half: this is grammatically incorrect, it would have to be "into halves" or "in two"
3) kills; forever: kills already implies is forever, it is repetitive
4)beats; in pieces: beats doesn't imply that the monster was split into pieces, so these two words don't combine.
