Kara Walker's Installation Rebellion! (Our tools were rudimentary, but we continued.) Combine Harvester by Kara Walker
Walker's signature style was cut from a popular 19th-century portrait, the paper cut. It comes from silhouette figures. Her characters are often placed in surreal scenes dealing with violence and historical depictions of African Americans. Among these works is 85 Feet of Slavery. Slavery!
Walker's paintings truly depict contemporary racism and the social and economic inequalities that continue to divide America. More puzzles than books, these are complex, multi-layered works that slowly reveal their meaning over time.
Walker clarified that her intention as an artist was not to create compelling images or to pose questions with simple answers. She also explained her use of silhouettes, stating, "Silhouettes say a lot with very little information, but that's also what stereotypes do."
Learn more about Kara walker at
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1. Becase it was collapsing from the inside.
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a justice system in the awnswer
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I will explain him briefly about the residential schools
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The Court ruled in Schenck v. United States (1919) that speech creating a “clear and present danger” is not protected under the First Amendment. This decision shows how the Supreme Court's interpretation of the First Amendment sometimes sacrifices individual freedoms in order to preserve social order. In Schenck v.
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