I won't do the entire thing for you, but I'll give you a good place to start at.
A verb is a word that indicates an action.
"Quirked" and "followed" are two examples from the text.
Answer: one challenge I found most difficult is not being able to see your friends in this difficult time and see that all the people that are dropping like flies and you are not sure if you are next or friend or family member is next to drop and you cant even go out on a peaceful walk without knowing if you are protect enough to go out side and you are so used to doing things out side but now you are restricted. And also you are used to going to going out and coming in that you don't get to see your family that much because when you come home your parent are sleep and they leave in the morning for work and it just keep repenting itself so make most of the time with family
Explanation:
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
Can you clarify your question please
