Answer:
a.Magical realism
Explanation:
The metamorphosis is a novel that involves different themes as the absurdity of life, alienation, and satire or dark humor. We can put the novel in a very specific movement called "<em>Modernism</em>" in the late 19th and early 20th century. In this literary movement we can find this piece of literature in the "<em>absurdist fiction"</em>, when we talk about "<em>absurdist fiction</em>" we find the main problem that Kafka uses in the metamorphosis: the study of human behavior under certain circumstances that are purposeless or absurd as we see the character of Gregor Samsa fighting with himself as he became an insect. This "<em>absurdism</em>" is a type of fiction and we can include this story in the gender of Magical realism because it's the closest one with the absurdist fiction. Because of this, it is not in <u>nonfiction</u> and not in <u>science fiction</u> because it is considered a novel it is not <u>epic poetry</u>. Finally, <u>magical realism</u> it's a very new concept in literature and it's more associated with Latin American literature, for this reason, but we can put Kafka's work in this genre.
Answer:
Beowulf.
Explanation:
In "Beowulf, An Anglo-Saxon Epic Poem", the author narrates the story of <em>Beowulf, a young Gaetish warrior</em>. He came to the aid of King Hrothgar whose kingdom was terrorized by a monster named Grendel. Beowulf used his epic strength and bravery and slayed the monster, saving the kingdom from further oppression. The above lines are from the lines 56-60 of Chapter VII. It mentioned the time when Hrothgar describes how he had known about Beowulf and his father, Grethel who had been his friend. And now, Beowulf had also came to offer his services to his father's good friend for all the good that he had done for them.
The answer is A i did the test
<span>Each Monday, this column turns a page in history to explore the </span><span>discoveries, events and people that continue to affect the history being made today.
</span> Europe was mired in a centuries-long dark age before a king named Charlemagne came along and turned on the light switch.
By encouraging arts, culture and education, the 8th-century Frankish king – who would eventually become the first Holy Roman Emperor – tugged the continent out of cultural stagnation that threatened to never end.
Both a fierce warrior and in many ways the first Renaissance man, Charlemagne's achievements on the battlefield and in his laws led to the first notion of a pan-European identity.
