Answer:
How can inductive reason and deductive reason be thought of as opposites? ... It's important to be able to analyze the reasoning an argument in a public speech has been based on because it's important to know whether their reasoning was entirely logical or entirely illogical.
The effect that gothic poets achieve by writing about the overlap between love and death in their poetry is simply to show a profound reaction against reality.
<h3>Who is a poet?</h3>
It should be noted that a poet simply means one who writes poetry to convey a particular emotion to the readers.
In this case, the effect that gothic poets achieve by writing about the overlap between love and death in their poetry is simply to show a profound reaction against reality.
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<span> C. To identify your strengths and preferences that you will take to a job
</span><span>I'd say definitely c. A doesn't work , its not about qualifications, b , not all job applications have forms, loads want cv's and anyway they aren't interested in teh same sort of thing. Having said that I'm not convinced they are that useful as you may discover your preferences and strengths are in wholly different areas.</span>
I think it is c because abrasive can be to scrape and abound can be to exist in great quantities or numbers.
First of all, if the story would be in chronological order, there would be no story at all. This is because the main character of the story, Anna, won't tell the narrator, her daughter, a lot about her past. "She has kept no squinted costume, no photographs, no fliers or posters from that part of her youth".
Because the narrator tells the story in the present and uses flashbacks is the reason that she can unify certain themes, such as the three times her mother saved her life because of her leaps. "I owe her my existence three times". These three leaps the narrator owes her life might be: when Anna Saves herself when she falls from the trapeze, when she falls in love with the narrator's father, and when she saves the narrator life from a fire by climbing to the room where the narrator is trapped.