Answer:
Its a book idk what about.
Explanation:
How bout opening it.
Answer: "Snowball and Napoleon sent out flights of pigeons . . . to mingle with the animals on neighbouring farms . . . and teach them the tune of ‘Beasts of England.’"
Explanation:
Everyday Snowball and Napoleon sent pigeons which went to other farms to tell them the news of the rebellion as well as to teach them the words of the Animal Farm anthem,<em> The Beasts of England. </em>
This was a calculated attempt to show the country that animals could rule themselves by using propaganda (biased information) because the pigeons that were sent out spoke only wonderfully about the farm and this led to most believing that the farm was a paradise where animals could rule themselves and govern their own affairs even though in fact, it was a dictatorship.
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
its A. Jorge understands that mother-daughter relationships can be complex.
Explanation:
i just got it right, please like!
<span>cuisine has roots in latin (conquere - to cook)
ugly has roots in old norse (ugga - to dread)
touche has roots in french (originally 'touchér)
petite has and always has originated from french and it did not evolve
craze - swedish originally krassa - to crunch
blunder - Scandinavian origin and related to blind.</span>
