Answer:
For each sentence, select the aspect of the underlined verb(s).
She pretends to be a police officer by dressing up.
✔ simple
Will you change the sheets tonight?
✔ simple
The elephant had eaten all the hay.
✔ perfect
Between 1981 and 1989, Ronald Reagan was leading the United States
progressive
In his essay "The Importance of a Single Effect in a Prose Tale," Poe writes that he unifies a piece of writing around mood. He writes not primarily to develop a plot or a character but to convey a feeling or what he calls an "effect."
Most often in his stories, Poe wishes to convey a mood or "effect" of horror. He does this through description and imaginative details that relentlessly build up a sense of unsettling terror. For example, in "The Cask of Amontillado," the reader's awareness that Montresor is plotting revenge and the piling up of creepy details about the cold, damp, bone-filled catacombs through which he leads Fortunato builds a mounting sense of tension and deep unease. Similarly, the ebony clock that stops everyone cold when it ominously tolls the hour in "The Masque of the Red Death," reminding people of their mortality in the middle of a deadly plague, contributes to a sense of horror.
Poe also tightens his effects by using a claustrophobic writing style focused on very few characters and often narrated by a person who is troubled or unstable. Poe sometimes horrifies us by putting us into contact with a fevered mind trying to justify its heinous actions, as in "The Tell-tale Heart," or with a claustrophobic nightmare setting, such as that described by the first-person narrator of "The Pit and the Pendulum.
Answer:
Explanation:
Patrick Henry’s “Speech to the Virginia Convention” was so effectively crafted that it ultimately led to the beginning of the Revolutionary War. Though powerful words, pathos, and logos, Henry’s speech was able to instill a vehement, earnest, seductive tone in his audience.
Henry’s speech can easily be classified as earnest because he truly believes the messages he preaches. He fears for the prosperity of his home country as England slowly begins to take control of the American colonies. Henry’s trepidations are what sculpt the earnest fear he has for his country. His feelings are alarming yet at the same time consoling to the citizens. It is important that the people understand the desperate circumstances their country is in, but when stating his concern, he comforts his audience by offering solutions to the dilemma: “We have held the subject up in every light of which it is capable […] If we wish to be free […] we must fight!” (“Speech to the Virginia Convention” 82).
Patrick Henry also conveys a seductive tone by posing rhetorical questions which make the listeners think about what they truly want for their future. His speech is so well worded that he is able to draw the audience in closer and closer with each word he speaks. His seductive tone is critical to the success of his speech because without it, the listeners would be emotionally detached from his argument. Henry entices his audience by proclaiming, “For my own part I consider it as nothing less than a question of freedom or slavery […] It is only in this way that we can hope to arrive at truth, and fulfill the great responsibility which we hold to God and our country” (81).
Although Henry’s speech could be classified as having an earnest, seductive tone, the dominant tone would be best described as vehement. No matter what Henry says, he always proclaims everything with great emphasis and passion. Henry’s tone is evident when he asks the audience, “Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! […] give me liberty or give me death!” (83). When proclaiming those words, it is possible to visualize Henry standing before a crowd screaming for freedom though war. The success of Patrick Henry’s speech is mainly due to the enticing, enthusiastic tone that was conveyed to his listeners.
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