Answer:
False
Explanation:
There are many different styles of Buddha statues that usually vary by the position of Buddha's hands. Over a hundred different hand gestures exist and each of them conveys a different spiritual meaning.
For example, the depiction of Buddha with the right hand raised and facing outwards has two meanings: the Protection Buddha (the raised right hand symbolizes a shield) and Overcoming Fear (the one being protected has nothing to fear). You can see this depiction of Buddha in the first picture.
The Buddha depicted with both hands facing up on his lap and legs crossed in the Lotus Position is called the Meditation Buddha. People usually buy this statue if they want to set up a peaceful corner in their home where they could relax and think. The second picture shows what this representation of Buddha looks like.
I think it’s important so that people don’t steal the artists work or take credit for what they worked hard on.
Answer:
Markers, Colored pencils, and acrylic paint
Explanation:
In art, "mediums" are the things you use to draw, sketch, colour, etc with.
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
