Answer:
In the Medival times, the church had authority over knowledge and art. They were the ones who mostly funded the artists and who took most care of the art. Therefore, most of the medieval art we have today describes religious themes and ideas and is saved in the churches.
Explanation:
In the Medival times, knowledge and art were closely connected to the church. Usually, the church was very wealthy and politically influential at the time and held a kind of monopoly over the knowledge. <u>They were mostly the ones who funded art, so there was rather a lot of religious art during that time. </u>While there were artists who created secular art, not related to religion, they were less likely to have fundings and their work was not as carefully kept and preserved. <u>They also frequently made copies of scripts and religious writings, so a lot of insular art with Biblical themes is saved.</u>
<u>Most of the art surviving today from Midival times is kept at churches, presented there, or shows the religious teachings and scenes from the Bible. Around Europe, there are preserved churches, mosaics, frescoes, altars, and jewelry that were influenced by the Christian ideas and teachings, and likely funded by their money.</u> This is true of Catholic art, as well as of Byzantine – <u>in regions of both Christan teaching, the church had the most authority and religious art was the most prized one. </u>
Answer:
The southern colonies had very rich soil and flat ground, making it extremely easy to farm and grow crops. In the North the soul was thin and rocky, so they had to rely on the coast more than farming. The North made money through fishing, ship building, and other various non agricultural industries.
Explanation:
Answer:
Explanation:
The Montauk Project is a conspiracy theory that alleges there were a series of United Statesgovernment projects conducted at Camp Hero or Montauk Air Force Station in Montauk, New York, for the purpose of developing psychological warfare techniques and exotic research including time travel. The story of the Montauk Project originated in the Montauk Project series of booksby Preston Nichols which intermixes those stories with stories about the Bulgarian Experiment.
Origin:-
Stories about the Montauk Project have circulated since the early 1980s. According to UFOresearcher Jacques Vallée, the Montauk Experiment stories seem to have originated with the highly questionable account of Preston Nichols and Al Bielek, who both claimed to have recovered repressed memories of their own involvement. Preston Nichols also claims that he was periodically abducted to continue his participation against his will.[3][1] Nichols, born May 24, 1946, on Long Island, New York, claims to have degrees in parapsychology, psychology, and electrical engineering,[4] and he has written a series of books, known as the Montauk Projectseries, along with Peter Moon, whose real name is Vincent Barbarick. The primary topic of the Montauk Project concerns the alleged activities at Montauk Point. These center on topics including United States government/military experiments in fields such as time travel, teleportation, mind control, contact with extraterrestrial life, and staging faked Apollo Moon landings, framed as developments which followed a successful 1943 Philadelphia Experiment.Both Peter Moon and Preston Nichols have encouraged speculation about the contents; for example, they wrote, "Whether you read this as science fiction or non-fiction you are in for an amazing story" in their first chapter,[citation needed]describing much of the content as "soft facts" in a Guide For Readers and publishing a newsletter with updates to the story.[citation needed]The work has been characterized as fiction, because the entire account was fabricated by Preston Nichols, and to some extent, Stewart Swerdlow, who has consistently been shown to contradict his own backstory, and it does appear as if Swerdlow just wanted to become famous in the New Age Community, and establish a reputation for himself.