Generally,the vitrage,or stained glass technique was used to convey an idea of other worldliness. When a person would enter the cathedral,the light would shine through the windows and illuminate the interior,causing a colourful ambient that would leave the person feeling as though they had entered another world;the world of God. The principle in the Byzantine age was the same,except it was more so to signify the god like attributes of the rulers themselves.
Film is easier with a still image .Theatrical production is all look in one direction and the light is pointing towards the stage.
I think the title of a work could definitely change its meaning for the viewer
There is a great rise in the use of technology. The definition is below;
<h3>what is nanotechnology?</h3>
Nanotechnology is simply known as the study of materials which is about between 1 and 100 nanometers. Nanomaterials are known for the fact that they do not react the same way as the bulk materials from where they are gotten from.
This kind of technology is known as one that covers the areas of science and engineering where things that occurs at dimensions in the nanometer scale are employed in the design, characterization, etc.
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Characters operate within the constraints of their circumstances. Two characters that may otherwise be friends may be turned against each other by mutually exclusive objectives or hostile circumstances. For example, Mercutio and Thibeault in "Romeo and Juliet" display similar values and would perhaps have gotten along, were they not allied with warring families.
George and Lenny in Of Mice and Men also display an interesting relationship. They are very different, but in need of one another in unique ways. They are both in difficult economic circumstances, and have disproportionate advantages (George's intellect, Lenny's strength).
The circumstances characters are in dictates, to an extent, the relationship between characters, because it dictates whether the characters offer an facilitation or obstacle to one another's objectives. Even within a play, a change in the situation and thus the calculus of the characters can change the dynamic between them.
