The “winter dreams” of the story refer to the American Dream that Dexter<span> comes to embody, but success brings a high cost, and social mobility restricts Dexter’s capacity for happiness. Dexter is from humble origins: his mother was an immigrant who constantly struggled with the language of her adopted homeland. The central irony of the story is that realizing the American Dream yields bleak rewards. For example, when Dexter was a young caddy, he dreamed about success and wealth and the happiness they would bring. When he finally beats T. A. Hedrick in a golf tournament, however, the triumph brings him little joy. Dexter is able to transcend middle-class inertia but, despite his tireless efforts to advance his fortunes, forced to accept that money cannot buy happiness.</span>
<span> reasons given with the aim of persuading others that an action or idea is right or wrong
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Answer:
The correct answer is <u>D</u>: She became very well accustomed to life among the Americans.
Explanation:
In this passage, we can see that Alvarez became accustomed to life in the United States. She was a popular kid and she enjoyed hanging out with American children and felt comfortable when she was surrounded by her friends. She also ignored her family and cousins, their tradition, their native land, and all she wanted is to be on her own and pursue her dreams in America, as Judy Alcatraz.
A circumstance in Scene 3 leads to Romeo and Juliet in Scene 4.
<h3 /><h3>What is circumstance?</h3>
A circumstance element that goes along with, influences, or determines another: a necessary or unavoidable companion. One factor that needs to be considered is the weather.
Juliet requests permission from the nurse to spend the night alone in her bed-chamber, and she reiterates the request to Lady Capulet when she arrives. She is by herself, holding the vial that Friar Lawrence gave her and she wonders what would happen when she drinks it. She might pass away if the friar is dishonest.
Therefore, A circumstance in Scene 3 leads to Romeo and Juliet in Scene 4.
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