Answer:
Leyster used tenebrism for added drama.
Picasso showed a single figure from multiple views for added drama.
Explanation:
- Cubism is preoccupied with the problem of the "object" that needs to be reconstructed, as opposed to the vagueness and impermanence of the Impressionist surface.
- Everything that relies on subjectivity or a particular and firm view must be eliminated in order to arrive at an overall, conceptual, complete variant of form ("If the senses deform, only the spirit forms").
- Picasso's statement: "I paint objects as I imagine them, not how I see them," supports this thesis. In Cubism, the influence of African art is also present, and the basis is the cube. The Cubists in the picture show simultaneously (at the same time) what we can really only see in succession (in the sequence of time, consecutively).
- Dutch Golden Age painter Judith Leyster often depicts middle-class Dutch people in work and in leisure in her paintings.
Answer:
A mixed media painting.
A painting that incorporates many different painting media and materials is classified as a mixed media painting.
I hope this helped at all.
<span>Protestant themes can be seen in music in the United States today. It can be seen very clearly in country music, where lyrics are often overtly referring to God having an impact in a person's life or relationship, or the desire to give thanks to God for events that have happened in one's life. On the contrary, it can also be seen when there are references to how God has forsaken a person and the devil has taken over in their lives. On both sides of the coin we can see Protestant Christian influences in music, especially in the lyrics.</span>
Answer:
the condition that distinguishes animals and plants from inorganic matter, including the capacity for growth, reproduction, functional activity, and continual change preceding death.
"the origins of life"
Explanation:
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Answer: D. Rinaldo
Explanation: His first opera, Rinaldo premiered at the Queen's Threatre in 1711, the same theater in which Andrew Lloyd Webber's Phantom of the Opera first saw the light of day in 1986.
